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Book
Lina Bo Bardi : subtle substances : the architecture of Lina Bo Bardi.
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ISBN: 9788425220838 8425220831 Year: 2006 Publisher: Barcelona Gili

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Book
La circulation de la musique à Liège au XVIIIe siècle
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Year: 2008 Publisher: Leuven Alamire Foundation

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Luik --- 18e eeuw --- België


Book
Grétry dans La Gazette de Liège et les éditions musicales liégeoises
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Year: 2013 Publisher: [Liège] [Association des diplômés des sections d'histoire de l'art, archéologie et musicologie de l'Université de Liège]

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Book
Du recueil général des opéra bouffons (Liège, 1771-75) ou de l'histoire d'une contrefaçon de plus en plus avouée
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Year: 1997 Publisher: Bruxelles : Belgische vereniging voor muziekwetenschap = Société belge de musicologie,

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Frans --- Namaak --- Uitgevers --- 18e eeuw


Book
Albert Zimmer (1874-1940) : dévoilement d'une correspondance, révélation d'une intense vie musicale
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Year: 2002 Publisher: Bruxelles Belgische vereniging voor muziekwetenschap = Société belge de musicologie

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Gevaert et l'édition de la musique ancienne
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Year: 2011 Publisher: Bruxelles Belgische vereniging voor muziekwetenschap = Société belge de musicologie

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Book
La collection Rossini de la bibliothèque du Conservatoire royal de Bruxelles augmentée de deux documents autographes
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Year: 2013 Publisher: Bruxelles : Belgische vereniging voor muziekwetenschap = Société belge de musicologie,

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Book
Émile Chaumont
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Year: 2018 Publisher: [Bruxelles] : Académie royale des sciences, des lettres et des beaux-arts de Belgique,

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Book
Jeanne Andrez, éditrice du Journal vocal (Liège, 1800-c.1807)

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Book
Lina Bo Bardi : obra construida
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ISBN: 9788425219221 8425219221 Year: 2002 Publisher: Barcelona : Gili,

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Lina Bo Bardi, an architect born in Rome in 1914, graduated from the Architecture Faculty of Rome University in 1940. Soon after this she moved to Milan, where she worked for Gio Ponti and edited the magazine Domus. The war over, she emigrated to Brazil in 1946 with her husband Pietro Maria Bardi, an art historian and critic. It was in Brazil, a country whose nationality she would later assume, that she developed her professional career in the field of architecture and industrial and interior design. The radical, modern focus of her work is impregnated with a wish to reconcile popular culture and everyday life, to do away with the distance between high and low culture. Her built architectural work possesses the conceptual and material forthrightness for which it is generally known, although she undertook a great many unbuilt projects. Only her built works are presented in this number of 2G. Foremost among these are probably the famous House of Glass (the Bardis' own home), the MASP (São Paulo Art Museum) and the SESC Pompéia Factory, all of them in São Paulo.

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